This is the first time that the content of the PA matriculation exams has been made publicly available.

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The IMPACT-se study used international standards of acceptance of others, set by UNESCO, to evaluate 26 PA matriculation exams. The team found that 75% of the exams in humanities and social subject included radical content that promoted violence or incitement to violence and hatred of others, the same material that was taught in classrooms and on the exam prep sites operated by the Palestinian Authority Education Ministry. The researchers did not find any material on the exams that dealt with reaching a sustainable peace with Israel.

The report pointed out a few exam questions that promoted messages it characterized as problematic. The geography exam asked students what countries bordered the Jordan River basin, and the multiple choice answers included: Syria, Lebanon, Jordan, Palestine, Egypt, and Iraq. Israel was not listed.

The Arabic language exam asked questions about the poem "A Refugee's Will," which calls for an armed return to the cities of Israel, "with weapons in hand," to liberate all Palestine. The PA Education Ministry website also put out study material for the poem, which reads: "The poet is saying that the homeland can only be liberated through armed resistance." The site explains that "the expression 'with weapons in hand' is a metaphor for jihad and resistance, and the term 'a weapon in your hand' symbolizes [the idea] that what was forcibly taken can only be retrieved through force."

A history exam question about the Arab Spring claimed that the anti-regime demonstrations in nations affected by the Arab Spring were a Western-Zionist scheme to destabilize Arab unity.

An essay question, also from the history exam, asked students to define the term "national identity." The correct answer, as it appears in the study manuals, perverts the definition of the term and leaves out any vision of peace, reconciliation, or cooperation between neighboring nations.

The Islamic religion exam provided yet another example. The exam included questions about jihad, which the PA curriculum teaches in the Palestinian context. Students are encouraged to see participation in the violent conflict as a religious obligation. As an example, the exam offered the example of the clashes between the Murabitun (Turkish-funded Palestinian rioters who were bused into the Temple Mount compound on a daily basis to harass Jewish visitors to the Mount) with the Israel Police at Al-Aqsa mosque.

IMPACT-se CEO Marcus Sheff said when the results of the study were announced that "Palestinian students go through 12 years of radical education, starting in the first grade, when they are asked to learn the Arabic letter 'h' from the words 'shahid' and 'hujum' [attack], and through the 12^th grade, with its messages of extremism and violent struggle."

Chief Operating Officer of IMPACT-se Arik Agassi added, "The Palestinian matriculation exams require the study of material that incites to hatred, violence, and conflict. No Palestinian student can pass the exam without being versed in hatred of others."

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The exhibit, by Afghani-American photographer Fazal Sheikh, who lives in Switzerland, includes 12 images that, according to the explanatory material included in the exhibit, focus on the "violent and devastating effects of Israel's settlement and cultivation policy in the Negev [Desert] towards the local Bedouin population."

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The images, according to the museum, "tell of the forced evacuations of 'unrecognized' Bedouin villages, narrating the intricate policies and actions which have been employed to displace the local communities for whom the desert has been both a home and a source of livelihood for generations."

The exhibit goes on to claim that the Jewish National Fund "flattened Bedouin villages, uprooted trees and gardens, [and] leveled the terrain."

According to the exhibit, "the alteration of the land through militarization, industrialization, settlement, and afforestation demonstrates just how unnatural a 'natural' border can be."

The exhibit has generated outraged responses from Jewish groups in Munich. However, the museum has allowed the Israeli curator of the exhibit – artist and left-wing activist Boaz Levin – full discretion. The exhibit catalog notes that Levin is a native of "Jerusalem, Israel/Palestine."

The JNF has categorically denied the allegations made against it in the exhibit.

"The museum is becoming part of a system that has made it a goal to cause damage to the oldest Israeli environmental organization," the JNF told Israel Hayom.

"The exhibit presents claims that border on libel. The JNF never destroyed communities or carried out any actions like that. The accusation that the JNF assists in the militarization of Israel is a pure insult. We take care of water sources, forestation, and the development of an ecological approach to nature," the JNF said.

Jaffa Flohr, president of JNF-Germany, called it "insufferable" for a German museum to support baseless accusations against the JNF through an art exhibit, and when we are talking about a well-regarded Jewish museum, it's even more painful. We demand that the museum put out an immediate clarification of these false claims. It would be regrettable if the museum unintentionally became a tool for unilateral incitement against the JNF and the State of Israel."

Non-Jewish museum employees agreed that the exhibit included anti-Israeli incitement.

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