Israel Hayom is a media organization founded on the belief that the Israeli public deserves better journalism—more balanced, more accurate, and more reliable. Journalism that speaks rather than shouts. Journalism that is trustworthy, objective, and matter-of-fact. A different kind of journalism, offered free of charge.
The first print edition was published on July 30, 2007, and in 2010 Israel Hayom became the Israeli newspaper with the highest weekday readership. The newspaper’s publisher is Dr. Miriam Adelson. Its Editor-in-Chief is Omar Lachmanovitch, and its founding editor is Amos Regev.
Israel Hayom’s Hebrew and English websites, as well as its Android and iOS applications, provide around-the-clock news coverage, exclusive content, breaking news and updates, analysis and commentary, video, podcasts, and live broadcasts.
The digital platforms of Israel Hayom include news and opinion channels covering culture and entertainment, lifestyle, technology, sports, business and consumer affairs, health, military affairs, food, Judaism, tourism, and automobiles.
In 2021, a new Hebrew-language website and mobile application were launched to provide users with a fast, up-to-date, secure, and convenient experience.
The content of the newspaper’s print edition is also available online through a daily digital edition and can be received via newsletter.
“The Israel Hayom Clique,” the publication’s exclusive benefits club, offers website users discounts and special promotions on products and services.
Israel Hayom welcomes feedback, criticism, and suggestions for improvement from its readers. You can contact the organization by email at hayom@israelhayom.co.il
In a new trailer, Daniel and Chozen uncover a mysterious box containing Mr. Miyagi's secrets found under his dojo floor. Kreese's return as the sensei of a rival dojo after faking his own death to escape prison.
The film examines Dunaway's personal trajectory, including a childhood shaped by her father's alcoholism, her struggles with alcoholism, bipolar disorder, love affairs, and motherhood.
The film premiered at the 2024 Sundance Film Festival and also played at the Berlin, Tribeca, and Provincetown Film Festivals, gaining attention as a breakout for filmmaker Nathan Silver.
The script, written by Michael Breslin and Patrick Foley, explores the lives of affluent women indulging in day-drinking, feuds, and extravagant lifestyles until a body turns up.